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Honey I’m Home Release New Shoegaze Anthem, ‘Hyperspace Mountain.’ - Indie is not a genre
With its blend of heavy guitars and electronic textures, the track marks the group’s most ambitious…
Cool electronica with: Patros15 x Ish10 Yow1r0, and N8MusicVisuals
A couple of electronic tracks that don’t quite fit the usual study beat mould and so end up in the …
First Floor #306 – A Preview of the Post-Streaming Era
Frankie Pizá sketches out the majors’ emerging (and AI-powered) new business model, plus a round-up…
keiko tsuda - Fata Morgana - Keiko Tsuda deliver an angular, fiery blend of guitar and electronic drums — a raw, cinematic soundscape where improvisation meets experimental groove.
Keiko Tsuda deliver an angular, fiery blend of guitar and electronic drums — a raw, cinematic sound…
Amplifiers to Oblivion: Sunn O))) Reclaim Their Drone Throne On Self-Titled Sub Pop Release (ALBUM REVIEW) - Glide Magazine
The long-running, Seattle, Washington-based drone metal act Sunn O)))))) returns with their first n…
Interview: Robert Francis
Robert Francis released his debut album One by One in 2007 at age 20, which led to a deal with Atla…
Research Vessel - Part of the Charm (Sunday Records)
Research Vessel's ‘Part of the Charm’ delivers five compact, richly textured jangle pop tracks show…
“A New Moon” de Joseph Turner explora cambio y claridad emocional - La Caverna
“A New Moon” marca un punto de partida para Joseph Turner & The Dudes of Hazard, un proyecto qu…
SYLIANRUE - ‘Reflection’ | Obscure Sound
Tokyo-based composer Yuichi Nishikawa, formerly an industrial rock vocalist, releases Reflection un…
NYC Dark Electronic Duo a place both wonderful and strange Return in Icy Video for “It's Not That Bad, Muffin” — Post-Punk.com
The Catskills rise like an afterthought of God, blue with distance and old weather, their ridges ho…
Fireball Ministry to Reissue The Second Great Awakening May 22 | The Obelisk
This record always kicked ass. It kicked ass the first time, it’ll kick ass now, and in however man…
Album: Vilde – Qualia At Odds
Qualia At Odds is the seventh album in nine years from Melbourne-based musician Vilde (Thomas Savag…
Deftly Demolition - Kloaka Maxima - Blurring between rhythmic noise, drone and techno with an album recorded during the beginning of Covid lockdown in early 2020
Blurring between rhythmic noise, drone and techno with an album recorded during the beginning of Co…
The Best Metal on Bandcamp, March 2026
Our guide to the month’s crucial heavy LPs. Read full story on the Bandcamp Daily.
Sound of the Week: Karin Park - Sing Your Sorrow - KALTBLUT Magazine
Swedish electronic artist Karin Park is making waves with her upcoming EP, EVO, set to drop on May …
Folk hop with: Rubus x Meadou – Between the Words
Back to something gentle from Finns Rubus x Meadou. Rubus offers on this on themselves “This is my …
BEST NEW TRACKS: VERY BUSY PEOPLE – ORDINARY NIGHT
Very Busy People were formed in Austin, Texas, in 2017, and since then the indie collective has con…
Sluice: Companion
The North Carolina folk-rock band’s quiet and rambling third album exists in a cloud of dreamy cont…
Antropoceno - No Ritmo da Terra - from Brazil, an amazing fusion of musical styles and traditions
No Ritmo da Terra by AntropocenoAntropoceno - No Ritmo da Terra - from Brazil, an amazing fusion of…
Backengrillen - s/t LP - a new death-jazz group from Mats Gustafson & co.
Backengrillen by BackengrillenBackengrillen - s/t LP - a new death-jazz group from Mats Gustafson &…
HOT HALF DOZEN 3.31.26
This article presents a curated collection of six diverse music tracks spanning multiple genres. Th…
Premiere: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra - Atwood Magazine
Seattle synth-folk duo Babes in Canyon burst forward with bright, instinct-driven energy on “Echo,”…