Articles · 981 found
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New Album: The Resurrection Club - ‘Survival’ -- Obscure Sound
The Resurrection Club releases their debut album ‘Survival,’ a blend of analogue post-punk and mode…
Listen: Backroom Gossip - “Why should I?” -- Obscure Sound
Glasgow-based collective Backroom Gossip, led by pianist Geoff Angus and producer Stefan Celosia, r…
‘Side-Eye III’ Is Pat Metheny’s Elegant Balance Of The Past & Present Momentum (ALBUM REVIEW) - Glide Magazine
Pat Metheny releases Side-Eye III+, his first major studio album in six years, representing the lat…
Bill Frisell Celebrates 75th Birthday With His Go-To Musicians on Vibrant ‘In My Dreams’ (ALBUM REVIEW) - Glide Magazine
Bill Frisell celebrates his 75th birthday with a new album ‘In My Dreams,’ featuring his regular co…
Jared Bond switched-up his sound on new offering, “AlgoRhYtHm”
Kansas City-based artist Jared Bond releases ‘AlgoRhYtHm’, a funky and psychedelic track that showc…
LISTEN: GREBE's “Insurance” Is Cathartic Indie Rock With Moving Songwriting & Psychedelic Undertones - Glide Magazine
Atlanta slow-core quartet GREBE announces their debut full-length album ‘Hell Diver,’ set to releas…
WOTTS drift into dreamier territory with big new tune, “little bug”
Ottawa indie pop duo WOTTS have released “little bug,” a hazy, bass-driven dream pop track that rep…
New Music: Matt Gwilt – Visions | AnalogueTrash
Matt Gwilt, founding member of cult Leeds band The Sunshine Underground, releases new single ‘Visio…
Song for a Gorgeous Blonde - I Am Gorgeous Yellow (Also) - Techno-prog sequel to ‘I Am Gorgeous (Yellow)’
This article announces a sequel to the techno track ‘I Am Gorgeous (Yellow)’ titled ‘Song for a Gor…
The Opener: Supah Mario makes marvelous jazz and menacing trap
After more than a decade of producing trap music for major artists like Young Thug and Drake, produ…
Mike Patton on Faith No More’s Apparent Breakup: “I Don’t See It as a Sad Thing”
Mike Patton discussed Faith No More's apparent breakup in a podcast interview with Consequence's Ky…
Yaya Bey, Baby Keem, Visible Cloaks, and More: This Week’s Pitchfork Selects Playlist
Pitchfork's weekly curated playlist features new music selections from their editorial team, highli…
Newly Restored Version of Pink Floyd’s Live at Pompeii Arriving on 4K Ultra HD Blu-Ray
Pink Floyd's iconic concert film Live at Pompeii is receiving a newly restored 4K Ultra HD Blu-ray …
Cloudy ignites ZERO TOKYO with a hypnotic Hard Techno takeover alongside Adrián Mills
Cloudy headlined ZERO TOKYO with an intense hard techno set that captivated the Japanese audience. …
King Tuff Shares New Song “Invisible Ink”: Listen
King Tuff (Kyle Thomas) is returning with a new album called MOO, recorded in Vermont using the sam…
The Closest Miles Davis Ever Came To Playing Free Jazz
This article explores Miles Davis's ventures into free jazz territory, examining his closest approa…
Triptides – “Another Age”
Triptides releases their second single of 2026, “Another Age,” continuing their evolution from ‘60s…
Linda Perry Announces New Album Let It Die Here, Shares First Single “Beautiful”: Stream
Linda Perry has announced her new album titled Let It Die Here and released its first single called…
Album Review: Jerry Arlen – Luna 1 | AnalogueTrash
Jerry Arlen's album Luna 1 offers a space-themed listening experience comparable to Public Service …
Decadent Heroes lanza el instrumental “Hype” - La Caverna
Italian guitarist Luigi Chiappini, under the project name Decadent Heroes, has released ‘Hype’, an …
Watch Jessie Ware Sing “The Way We Were” For BAFTAs’ 2026 In Memoriam
Jessie Ware performed “The Way We Were” during the In Memoriam segment at the 2026 BAFTAs held at L…
The Alternative Number Ones: Pearl Jam's “Who You Are”
This article is part of ‘The Alternative Number Ones’ series, which reviews every #1 single from th…