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ESBJERG FUZZTIVAL 2026: Lineup Complete & Pre-Show Announced
Esbjerg Fuzztival 2026 in Denmark has announced its complete lineup and is expanding from a two-day…
Armbruster Gleefully Confounds Expectations, Again » PopMatters
Connor Armbruster demonstrates his musical versatility and innovation with Half My House, an album …
First Floor #302 – The Murderous Elephant in the Room
First Floor #302 is an electronic music publication featuring an interview with artist Mammo, along…
Night Wolf and Lois Powell - Unstoppable (EscaVolt Records)
A music reviewer expresses appreciation for the song ‘Unstoppable’ by Night Wolf and Lois Powell on…
Album Review: Karter AKA – Dangerous Creatures | AnalogueTrash
Karter AKA's album Dangerous Creatures draws inspiration from a 1994 PC game and the music of that …
Ebbb share new single, “Home Ground”
London-based electronic trio Ebbb have released their new single titled ‘Home Ground’. The track re…
Yellow House – When the Reels Burn Out
Yellow House's album ‘When the Reels Burn Out’ appeals to fans of psychedelic pop with its distinct…
Cable Street Riot - Play Along (Collapse System Records)
Cable Street Riot is a US-based band whose name references the 1936 London battle against Oswald Mo…
erei - do you think about me
erei's latest release ‘do you think about me’ showcases the lofi house genre that the reviewer main…
Spotlight - Buzzard
Buzzard is a doom folk metal artist that combines elements of Bob Dylan's folk sensibility with Bla…
YME BEATS shares inner strength with electrifying new anthem “Unbreakable”
YME BEATS releases ‘Unbreakable,’ a high-energy electronic single that combines pulsating productio…
Crimes of the Future: Torn by Cobrah | The Quietus
Swedish singer-producer Cobrah releases a new album titled ‘Crimes of the Future: Torn’ that combin…
Ragger – Euphonic Sounds | The Quietus
Los Angeles duo Ragger creates a unique fusion of ragtime music and Gameboy sounds on their album E…
Tony Bontana: My Name
The Birmingham rapper meditates on identity and working-class British culture on his latest album, …
Kinisi - “Earthling” (feat. Unk N'Nem) | Obscure Sound
Kinisi, the project of Atlanta musician Speros Kokenes, releases “Earthling” featuring Unk N'Nem, a…
ninnyliver - “Holland State Park” | Obscure Sound
“Holland State Park” by ninnyliver is a folk-forward track featuring introspective lyrics and strin…
Kukuni - “Left Out” | Obscure Sound
Los Angeles-based act Kukuni releases their track ‘Left Out,’ blending psychedelic sensibilities wi…
Rock Berg - “Stop Drop and Roll” | Obscure Soun
“Stop Drop and Roll” by Rock Berg is an inventive indie pop track that blends hazy psych-pop with h…
The Brook & The Bluff Incorporate Sharper Edged Rock Influences Into Evolved Indie Folk Sound on ‘Werewolf’ (ALBUM REVIEW) - Glide Magazine
Nashville indie folk band The Brook & The Bluff showcase an evolved sound on their new album ‘W…
New Orleans’ Eddy Benz Shares Video for Cover of Rowland S. Howard's “(I Know) A Girl Called Jonny” — Post-Punk.com
New Orleans experimental artist Eddy Benz has released a lo-fi video for his cover of Rowland S. Ho…
Kim Fu’s Book Notes music playlist for their novel The Valley of Vengeful Ghosts
Kim Fu creates a music playlist as part of the Book Notes series to accompany their novel The Valle…
SSAANN: Echo
SSAANN's album ‘Echo’ explores underground music and pop culture through themes of existential pain…