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Riverside and Los Angeles-based EBM project Divider releases Zero on Re:Mission Entertainment AprilâŠ
BALD CHEWBACCA DISTOPIC.IT Finding an artist with such rare electronic sensitivity as Bald ChewbaccâŠ
After two years off the grid, Covstline returns with a new single, Hyperspeed, diving headfirst intâŠ
Los Angeles-based multidisciplinary artist Emily Daccarett releases her deeply personal EP âAnotherâŠ
Swedish artist Karin Turesson's project Sunstroke Rain releases âAnother World,â an electronic pop âŠ
Christine Plays Viola have been at the game long enough to know that gloom is cheap and conviction âŠ
Fear rarely arrives all at once. More often it creeps in by degrees: a crack in the air, a wrong noâŠ
Dark Folk Music For The Darkest Of Folk! A dark folk journey into the land of legend and lore. MeetâŠ
Toronto producer Loukeman, who has collaborated with PinkPantheress, A$AP Rocky, and AminĂ©, announcâŠ
Toronto R&B singer Daniel Caesar has announced a tour in support of last year's âSon of Spergy,âŠ
After more than a year hiatus, 34-year-old singer Levina returns with new single âBack in my Body,ââŠ
Portland-based band The Builders and The Butchers will be releasing their new album, which marks thâŠ
Family Worship Centerâs new track Malibu by Midnight has a sort of roller-rink smoothness, an electâŠ
Claire Devlin and Eli Davidovici of MontrĂ©al jazz combo Bellbird discuss how the quartet turned theâŠ
Afroman, the former one-hit wonder, went viral after giving testimony in his legal battle with OhioâŠ
There is depth to the way London-based Bonam ply us with heavy percussion and electronicâŠ
When this record was announced, it seemed like a surreal dream, a meeting of linked souls with psycâŠ
When the Reverb Ends is a song title that immediately suggests aftermath: the instant when atmospheâŠ
Our guide to the monthâs crucial electronic music. Read full story on the Bandcamp Daily.
Javier Nero's Alkebulan is state-of-the-art big band jazz, which he discusses with us. Nero uses thâŠ
With its blend of heavy guitars and electronic textures, the track marks the groupâs most ambitiousâŠ
Following a hiatus, Brooklynâs âpower discoâ quartet AdiĂłs Ghost have returned with their second fuâŠ
A couple of electronic tracks that donât quite fit the usual study beat mould and so end up in the âŠ
Through composition and improvisation, experimental jazz saxophonist Caroline Davis creates a soundâŠ
