Articles · 1749 found
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What Is Now — Both/And (Algorithm Free)
Chris Forsyth's new trio What Is Now, featuring the rhythm section from Bark Culture, blends cool j…
The Messthetics and James Brandon Lewis Create Ecstatic Post-Hardcore Jazz » PopMatters
The Messthetics and James Brandon Lewis collaborate to create a bold fusion of post-hardcore and ja…
The Best Jazz on Bandcamp, February 2026
Our guide to the month’s crucial jazz LPs. Read full story on the Bandcamp Daily.
Premiere: Evann McIntosh Shares New Track “Better” featuring Meshell Ndegeocello
Tomorrow, Chicago-based alt pop singer/songwriter Evann McIntosh is set to share their sophomore al…
First Floor #302 – The Murderous Elephant in the Room
First Floor #302 is an electronic music publication featuring an interview with artist Mammo, along…
Album Review: Karter AKA – Dangerous Creatures | AnalogueTrash
Karter AKA's album Dangerous Creatures draws inspiration from a 1994 PC game and the music of that …
Ebbb share new single, “Home Ground”
London-based electronic trio Ebbb have released their new single titled ‘Home Ground’. The track re…
Yellow House – When the Reels Burn Out
Yellow House's album ‘When the Reels Burn Out’ appeals to fans of psychedelic pop with its distinct…
Cable Street Riot - Play Along (Collapse System Records)
Cable Street Riot is a US-based band whose name references the 1936 London battle against Oswald Mo…
Love Supreme Jazz Festival: De La Soul, Anderson .Paak, Free Nationals and more added to line-up for 2026 edition
Love Supreme Jazz Festival 2026 has announced over 25 new artists joining its lineup, including De …
Spotlight - Buzzard
Buzzard is a doom folk metal artist that combines elements of Bob Dylan's folk sensibility with Bla…
YME BEATS shares inner strength with electrifying new anthem “Unbreakable”
YME BEATS releases ‘Unbreakable,’ a high-energy electronic single that combines pulsating productio…
Crimes of the Future: Torn by Cobrah | The Quietus
Swedish singer-producer Cobrah releases a new album titled ‘Crimes of the Future: Torn’ that combin…
Ragger – Euphonic Sounds | The Quietus
Los Angeles duo Ragger creates a unique fusion of ragtime music and Gameboy sounds on their album E…
Golden Age Thursday Samples: Bobby Byrd's Funk Classic “I Know You Got Soul” (1971) Gets Flipped Into Hip-hop Excellence By Public Enemy (1989) & Ice Cube (1990) - Glide Magazine
This article examines how Bobby Byrd's 1971 funk classic ‘I Know You Got Soul’ became a foundationa…
Tony Bontana: My Name
The Birmingham rapper meditates on identity and working-class British culture on his latest album, …
Kinisi - “Earthling” (feat. Unk N'Nem) | Obscure Sound
Kinisi, the project of Atlanta musician Speros Kokenes, releases “Earthling” featuring Unk N'Nem, a…
ninnyliver - “Holland State Park” | Obscure Sound
“Holland State Park” by ninnyliver is a folk-forward track featuring introspective lyrics and strin…
Kukuni - “Left Out” | Obscure Sound
Los Angeles-based act Kukuni releases their track ‘Left Out,’ blending psychedelic sensibilities wi…
The Brook & The Bluff Incorporate Sharper Edged Rock Influences Into Evolved Indie Folk Sound on ‘Werewolf’ (ALBUM REVIEW) - Glide Magazine
Nashville indie folk band The Brook & The Bluff showcase an evolved sound on their new album ‘W…
New Orleans’ Eddy Benz Shares Video for Cover of Rowland S. Howard's “(I Know) A Girl Called Jonny” — Post-Punk.com
New Orleans experimental artist Eddy Benz has released a lo-fi video for his cover of Rowland S. Ho…
SSAANN: Echo
SSAANN's album ‘Echo’ explores underground music and pop culture through themes of existential pain…