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This article explores how The Gap Band's 1980 soul/funk classic âYearning For Your Loveâ was sampleâŠ
Seattle drone metal band Sunn O))) releases their tenth studio album, their first new music in seveâŠ
Cries of Redemption, founded by Ed Silva in 2007, releases Patterns, an LP featuring two decades ofâŠ
NYC dark electronic duo a place both wonderful and strange has released an icy new video for their âŠ
Fireball Ministry is reissuing their 2003 album The Second Great Awakening on May 22. The album, whâŠ
Qualia At Odds is the seventh album in nine years from Melbourne-based musician Vilde (Thomas SavagâŠ
Our guide to the monthâs crucial heavy LPs. Read full story on the Bandcamp Daily.
Swedish electronic artist Karin Park announces her upcoming EP âEVO,â the first part of a trilogy câŠ
Antropoceno's album âNo Ritmo da Terraâ is a Brazilian musical project that showcases an impressiveâŠ
Backengrillen is a new death-jazz group featuring Mats Gustafson, releasing a self-titled LP. The pâŠ
This article presents a curated collection of six diverse music tracks spanning multiple genres. ThâŠ
Mr Bruce releases âHOW WILL WE KNOW,â the third single from his debut album âOK,â featuring collaboâŠ
On a campy and subversive new album featuring Bladee, the Ukrainian black metal artist aspires to mâŠ
PAINIST presents a unique crust project that replaces traditional guitars and bass with distorted pâŠ
Buddhadatta's album âBuddha & Devadattaâ on Kasumuen Records captures the band's spiritual and âŠ
DPB's new album âUndefeatedâ showcases over three decades of hip-hop experience, delivering a high-âŠ
High Cube by Foote/Dickow is a free-spirited electronic record that delivers an enjoyable listeningâŠ
Our guide to the monthâs crucial rap LPs. Read full story on the Bandcamp Daily.
LĂĄszlĂł HortobĂĄgyi's album âDaseinonâ represents a visionary expansion of the composer's electronic âŠ
Billboard-charting hip-hop/pop artist Breezy BRG releases her new single âOn Vibes (Like That)â, a âŠ
The Italian experimentalist goes absolutely haywire on a very overwhelming, very fun half-hour of eâŠ
Working with strict limitationsâno more than five instruments; just one hour to make each trackâtheâŠ
