Articles · 563 found
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Hyperspecific: Electronic Music for February Reviewed by Jaša Bužinel | The Quietus
An article discussing electronic music reviews for February, featuring an interview with Slovenian …
Ishmael Ali – Burn the Plastic, Sell the Copper | The Quietus
Chicago-based cellist Ishmael Ali releases a challenging and multilayered debut album titled ‘Burn …
Matryoshka: Blasé Saint
The Seattle-based producer fills her debut album with staticky textures and bottomless reverb, rear…
Listen: Backroom Gossip - “Why should I?” -- Obscure Sound
Glasgow-based collective Backroom Gossip, led by pianist Geoff Angus and producer Stefan Celosia, r…
‘Side-Eye III’ Is Pat Metheny’s Elegant Balance Of The Past & Present Momentum (ALBUM REVIEW) - Glide Magazine
Pat Metheny releases Side-Eye III+, his first major studio album in six years, representing the lat…
Bill Frisell Celebrates 75th Birthday With His Go-To Musicians on Vibrant ‘In My Dreams’ (ALBUM REVIEW) - Glide Magazine
Bill Frisell celebrates his 75th birthday with a new album ‘In My Dreams,’ featuring his regular co…
Stream Vibora's New Screamo Opus ‘Egin Ez Dugun Guztia’
Vitoria Gasteiz, Spain-based screamo/post-hardcore band Vibora has released their sophomore full-le…
WOTTS drift into dreamier territory with big new tune, “little bug”
Ottawa indie pop duo WOTTS have released “little bug,” a hazy, bass-driven dream pop track that rep…
The Opener: Supah Mario makes marvelous jazz and menacing trap
After more than a decade of producing trap music for major artists like Young Thug and Drake, produ…
Unexpectid cuestiona la era digital en “Wifi” - La Caverna
Unexpectid, a hip-hop artist from the United States, releases ‘Wifi’, a reflective single that exam…
Mascara: Nerium
Mascara's album ‘Nerium’ explores underground music and pop culture through themes of existential p…
The Closest Miles Davis Ever Came To Playing Free Jazz
This article explores Miles Davis's ventures into free jazz territory, examining his closest approa…
Chris Crack, “Too Late to Start Following the Rules Now”
Chicago rapper Chris Crack releases a new album featuring polished, humorous hip-hop with productio…
Watch Jessie Ware Sing “The Way We Were” For BAFTAs’ 2026 In Memoriam
Jessie Ware performed “The Way We Were” during the In Memoriam segment at the 2026 BAFTAs held at L…
Telenova is on the rise | Interview
Melbourne trio Telenova creates IMAX indie pop characterized by an uneasy edge that emerges from fr…
The Messthetics & James Brandon Lewis: Deface the Currency - Spectrum Culture
The Messthetics and James Brandon Lewis deliver an exceptional second album that masterfully blends…
barDe desafía al patriarcado en “C U Next Tuesday” - La Caverna
British artist barDe releases “C U Next Tuesday”, an indie pop/alt-pop single that combines sharp i…
Time Out Take Five: Art Blakey and the Jazz Messengers, Conrad Herwig, Music Soup, Linda Dachtyl & More - Glide Magazine
Time Out Take Five is a jazz column featuring brief reviews of recent jazz releases that deserve at…
K. Wilz celebra el amor auténtico en Soulmate - La Caverna
K. Wilz, an artist from Indianapolis, releases ‘Soulmate’, a single that blends melodic hip-hop wit…
Del trap suizo al metal épico británico - La Caverna
This article presents a diverse musical lineup spanning from Swiss trap and technical hip-hop by Mo…
Watch Jessie Ware's heartfelt version of ‘The Way We Were’ for the BAFTAs ‘In Memoriam’ segment
Jessie Ware performed an emotional rendition of Barbra Streisand's classic song ‘The Way We Were’ d…
Identidad, tecnología y memoria en nuevos singles - La Caverna
New singles from Germany feature Aremcee collaborating with Bucket List 9 and Veysigz on alternativ…