Atwood Magazine
73 articles
Roundtable: A Review of Bruno Mars’ ‘The Romantic’ - Atwood Magazine
Atwood Magazine's writers conduct a roundtable review of Bruno Mars’ latest album ‘The Romantic,’ e…
“Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women's History Month - Atwood Magazine
Singer/songwriter Linda Marks shares a Women's History Month essay defending her lifelong dedicatio…
Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth - Atwood Magazine
Dublin band Soda Blonde release their powerful alt-pop single ‘Suit & Tie,’ which transforms fe…
Atwood Magazine's Weekly Roundup: March 17, 2026
Atwood Magazine's weekly music roundup for March 17, 2026 features staff picks spanning a diverse r…
Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist - Atwood Magazine
Singer/songwriter Delaney Bailey discusses her sophomore album ‘Concave,’ which serves as a deeply …
Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem - Atwood Magazine
New York City bedroom pop artist Grace Ives releases a defiant single called ‘Stupid Bitches’ from …
MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” - Atwood Magazine
LA pop artist MARIS releases her new single “Body Is on Fire,” a sweaty and smoldering pop track ex…
Interview: J.MYSTERY on Finding the Courage to Speak Through “Change” - Atwood Magazine
Portuguese artist J.MYSTERY discusses his new single ‘Change,’ a track that explores themes of resp…
“There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World - Atwood Magazine
The Format, featuring Nate Ruess and Sam Means, reunites after nearly two decades to release their …
“You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ - Atwood Magazine
Dutch-British songwriter Tessa Rose Jackson has released ‘The Lighthouse,’ a reflective new album u…
“When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women's History Month - Atwood Magazine
Canadian singer Mia Martina reflects on the surreal experience of creating a hit song that becomes …
Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ Is His Most Confident Album Yet - Atwood Magazine
Harry Styles releases his fourth studio album ‘Kiss All The Time. Disco, Occasionally.,’ a synth-la…
“I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles - Atwood Magazine
Seattle singer/songwriter Hayden Everett releases ‘Angela,’ the lead single from his debut album ‘S…
Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music - Atwood Magazine
Ashe discusses forming The Favors, a new band with FINNEAS, and their debut album ‘The Dream.’ The …
Roundtable: A Review of The Last Dinner Party’s ‘From the Pyre’ - Atwood Magazine
Atwood Magazine's writers review The Last Dinner Party's second album ‘From the Pyre,’ following th…
Italy's Desert Collider Summon the Sandworm on “ThumpeRRR” - Atwood Magazine
Italian rock band Desert Collider releases “ThumpeRRR,” a powerful track from their debut album tha…
“We Live, We Learn, We Love”: A Conversation with Irish Artist David Keenan - Atwood Magazine
Irish artist David Keenan discusses his fourth album ‘Modern Mythologies’ in a comprehensive interv…
NYC's Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’ - Atwood Magazine
NYC indie rock band Dogpark uses satire to critique the music industry's obsession with commerciali…
“I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound - Atwood Magazine
Parisian singer/songwriter Gabi Hartmann releases her sophomore album ‘La femme aux yeux de sel,’ a…
“Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am” - Atwood Magazine
Pop singer/songwriter Ava Della Pietra releases ‘3am,’ a tender pop song exploring the emotional co…
MisterWives’ Mandy Lee Debuts as Cherry Bomb With Disco-Pop Anthem “Never Be Me (M★therf★cker)” - Atwood Magazine
MisterWives frontwoman Mandy Lee launches her solo project Cherry Bomb with the debut single ‘Never…
Premiere: Philly's Feaster Channel Heartbreak and Loss into Fuzzed-Out Catharsis on “Gene” - Atwood Magazine
Philadelphia rock band Feaster releases “Gene,” a powerful new track that transforms heartbreak and…