Pitchfork The Pitch
16 articles
Kanye Wades Through the Fog at SoFi Stadium: Live Review
Kanye West's first U.S. performance in five years at SoFi Stadium featured impressive stage design …
Talking to Dylan Brady About Real Shit (Like Tubas)
Kieran Press-Reynolds interviews 100 gecs producer Dylan Brady in a conversation exploring the inte…
I Went to a Hip-Hop Streamer Convention and All I Got Was This Piece of Content
Alphonse Pierre's Off the Dome column covers a wide range of hip-hop culture topics. This week's pi…
Hop Into These 14 Rabbit Holes This Spring
Rabbit Holed is Kieran Press-Reynolds’ weekly music column that explores songs and scenes at the in…
Lelo’s New Freaky-Ass Detroit
Alphonse Pierre's Off the Dome column features an interview with Detroit up-and-comer Lelo, explori…
Niontay: “I Wish I Could Take My Eyes and Put Them on the Homies Back Home”
Milwaukee-born, Kissimmee-raised rapper Niontay discusses his journey as an artist while expanding …
The 2Slimey Roundtable
Alphonse Pierre's Off the Dome column hosts a roundtable discussion about 2Slimey, a viral Oklahoma…
Miles Caton’s No-Brainer Playlist
Miles Caton, an Oscar nominee for The Sinners, shares his personal playlist featuring seven artists…
5 Takeaways From Harry Styles’ New Album Kiss All the Time. Disco, Occasionally.
Harry Styles’ fourth album ‘Kiss All the Time. Disco, Occasionally.’ (nicknamed ‘Kissco') is a chic…
Industry Got Darker. So Did Its Score.
Composer Nathan Micay discusses creating the score for the TV show Industry's season finale, drawin…
Bow Wow’s Takeover of Beauty Supply Stores
Alphonse Pierre's Off the Dome column explores Bow Wow's music and cultural legacy through the lens…
Luci4 Unleashed a Generation of Glitchy Underground Rap
This article is a tribute to the late underground rapper Luci4, who pioneered a distinctive glitchy…
Bill Callahan Laughs at Death
Bill Callahan's new album My Days of 58 is inspired by a near-death experience and explores themes …
A 24-Hour Blitz Through the Buenos Aires Underground
Kieran Press-Reynolds explores the Buenos Aires underground music scene, focusing on a 24-hour jour…
Rewatching House Party, a True American Story
Alphonse Pierre's Off the Dome column explores the 1990 teen comedy House Party, providing a cultur…
Bad Bunny’s Incredible Super Bowl Halftime Show Planted a New Flag
Bad Bunny delivered an extraordinary Super Bowl Halftime Show that transcended musical performance,…
An Interview With the Kid Mero, the New Best Hope of Hot 97
The Kid Mero discusses his new role as host of Hot 97's morning show, representing a potential revi…
11 Best and Worst Moments From the 2026 Grammys
The 68th Grammy Awards broadcast marked the end of the CBS and Trevor Noah era, featuring a celebra…
Gabe ’Nandez Will Show Them All
Alphonse Pierre's Off the Dome column explores emerging underground rapper Gabe ‘Nandez and provide…
Charli XCX’s The Moment Review: The Pop Music Satire This Era Deserves
Charli XCX stars in an A24 reality-dramedy that satirizes the modern pop star experience, criticall…
AI Music Is Here to Stay. How Do We Reckon With It?
Kieran Press-Reynolds examines Bandcamp's new policy banning AI-generated music, highlighting the o…
Grammys 2026 Predictions: Who Will and Should Win?
The article speculates about potential Grammy Awards winners for 2026, highlighting potential break…