The Quietus
161 articles
“Sounds can have their own meaning” – Remembering Éliane Radigue | The Quietus
Warren Hatter reflects on the life and career of Éliane Radigue, an innovative experimental compose…
Vic Bang – Oda | The Quietus
Argentine artist Victoria Barca, performing as Vic Bang, has created ‘Oda,’ an album that samples a…
The Strange World of… Shane Parish | The Quietus
Shane Parish is a versatile musician known for his acoustic covers of electronic artists Autechre a…
Relentless Alloys: MENT in review | The Quietus
Claire Sawyers reviews the MENT festival, experiencing a diverse range of experimental and heavy mu…
Éliane Radigue has Died, Aged 94 | The Quietus
Éliane Radigue, the pioneering French composer and major figure in musique concrète and experimenta…
Lamisi – Let Us Clap | The Quietus
Lamisi, a Ghanaian artist, delivers a powerful example of African Futurism with her track ‘Let Us C…
Julian Hand & Demian Castellanos – Callanish Audio Visual Research | The Quietus
Julian Hand and Demian Castellanos have created a multimedia project called Callanish Audio Visual …
Hyperspecific: Electronic Music for February Reviewed by Jaša Bužinel | The Quietus
An article discussing electronic music reviews for February, featuring an interview with Slovenian …
Ishmael Ali – Burn the Plastic, Sell the Copper | The Quietus
Chicago-based cellist Ishmael Ali releases a challenging and multilayered debut album titled ‘Burn …
Low's Alan Sparkhawk Releases New Songs, ‘JCMF’ and ‘No More Darkness’ | The Quietus
Low's Alan Sparhawk has released two new solo songs, ‘JCMF’ and ‘No More Darkness’, marking his fir…
Getting off the Bus: Loula Yorke Interviewed | The Quietus
Loula Yorke is a prominent figure in leftfield electronic music, known for her distinctive sound cr…
Ben Vince – Street Druid | The Quietus
Ben Vince releases ‘Street Druid’, a new saxophone-focused album reviewed by Bernie Brooks for The …
Forgotten Words: The Raincoats’ Three Lives | The Quietus
Audrey Golden's book ‘Shouting Out Loud: Lives of The Raincoats’ challenges traditional punk histor…
Three Decades On: Sepultura’s Roots At 30 | The Quietus
Keith Khan-Harris examines Sepultura's landmark album Roots thirty years after its release, explori…
Reissue Of The Week: Hell Hath No Fury by Clipse | The Quietus
Francis Buseko Mubanga reviews the reissue of Clipse's Hell Hath No Fury, arguing that with twenty …
Unbeatable: Drum's Not Dead by Liars, 20 Years On | The Quietus
An article reflecting on Liars’ album ‘Drum's Not Dead’ on its 20th anniversary, published by The Q…
Peaches – No Lube So Rude | The Quietus
Peaches returns after an eleven-year hiatus with her provocative new album ‘No Lube So Rude’, deliv…
Pulp Share New Song, ‘Begging For Change’ | The Quietus
Pulp has released a new song called ‘Begging For Change’, recorded at Abbey Road Studios and produc…
Sunn O))) Share New Song, ‘Butch's Guns’ | The Quietus
Sunn O))) have released a new song called ‘Butch's Guns’, the second single from their upcoming sel…
John Coltrane Live Album ‘Tiberi Tapes’ Set for First Release | The Quietus
A collection of previously unreleased John Coltrane live recordings from 1961-1965, captured by sax…
Language, Land, Truth: First Nations Music in So-Called Australia, by Vanessa Morris
Vanessa Morris explores how First Nations artists in Australia are reclaiming narratives and spaces…
Organic Intelligence LIII: Slovakian Techno | The Quietus
The article discusses how Bratislava, Slovakia emerged as a significant hub for techno music during…