Latest music news, reviews, and premieres from 100+ blogs
Ratboysâ latest album âSinginâ to an Empty Chairâ explores themes of isolation and connection, focuâŠ
Julianna Barwick and Mary Lattimore have collaborated on their first album together, âTragic Magic'âŠ
Lala Lala Shares New Single âArrowâ Ahead of Album âHeaven 2â
Liverpool-formed electro-pop band Ladytron are releasing a new album, Paradises, on March 20 on NetâŠ
Bassist Mike Watt joins Galecstasy's Raquel Bell and Jared Marshall in a desert mountain studio aboâŠ
she's green, from Minneapolis, have a gauzy, dreamy sound that they call âmoss music.â I think thatâŠ
Kath Bloom Fri 4/10 at Hideout The post Cult legend Kath Bloom brings her experimental folk to the âŠ
âBirding,â the debut album from London trio Deary, immerses itself in the lush excesses of â80s andâŠ
Certains morceaux ne se contentent pas dâoccuper lâespace sonore ; ils redĂ©finissent lâarchitectureâŠ
Psycho killer, comment ça va? Good Friday brings good music memes, including Joni's JUNO from hell âŠ
It is hard to believe weâve arrived at our first Caustic of April, but thankfully, for both our loyâŠ
Recorded in the intimate setting of his Phoenix apartment, New York-born artist Bobrosia delivers aâŠ
Returning after a decade-long hiatus, Helsinki-based Waves of the Echo recaptures their signature bâŠ
After more than a year hiatus, 34-year-old singer Levina returns with new single âBack in my Body,ââŠ
Claire Devlin and Eli Davidovici of MontrĂ©al jazz combo Bellbird discuss how the quartet turned theâŠ
When this record was announced, it seemed like a surreal dream, a meeting of linked souls with psycâŠ
Whatâs left behind when the reverb ends What were we If no sound remains When the Reverb Ends is a âŠ
Javier Nero's Alkebulan is state-of-the-art big band jazz, which he discusses with us. Nero uses thâŠ
With its blend of heavy guitars and electronic textures, the track marks the groupâs most ambitiousâŠ
Through composition and improvisation, experimental jazz saxophonist Caroline Davis creates a soundâŠ
Keiko Tsuda deliver an angular, fiery blend of guitar and electronic drums â a raw, cinematic soundâŠ
The British singerâs second album is all curated melancholy and aestheticized heartache, winding itâŠ
âBirding,â the debut album by London trio deary, arrives with a quiet confidence that feels increasâŠ
The evolution of the folk-punk lineage reaches a sophisticated peak on âBlame the Clownâ by TwistedâŠ
